
Lohengrin: Met Live Opera
The Mary D. Fisher Theatre is honored to continue to be the home for the Met Live Opera programs for the 2022-2023 season, presented by the Sedona International Film Festival. The season continues with Richard Wagner’s “Lohengrin” live via simulcast on Saturday, March 18 at 9 a.m. and the encore presentation on Wednesday, March 22 at 3 p.m.
Plan to come early as Russ Fox will lead a pre-opera talk one hour before the LIVE production on Saturday.
Wagner’s soaring masterpiece makes its triumphant return to the Met stage after 17 years. In a sequel to his revelatory production of Parsifal, director François Girard unveils an atmospheric staging that once again weds his striking visual style and keen dramatic insight to Wagner’s breathtaking music, with Music Director Yannick Nézet-Séguin on the podium to conduct a supreme cast led by tenor Piotr Beczala in the title role of the mysterious swan knight.
Soprano Tamara Wilson is the virtuous duchess Elsa, falsely accused of murder, going head-to-head with soprano Christine Goerke as the cunning sorceress Ortrud, who seeks to lay her low. Bass-baritone Evgeny Nikitin is Ortrud’s power-hungry husband, Telramund, and bass Günther Groissböck is King Heinrich.
ACT I
Antwerp, first half of the 10th century. In Antwerp, on the banks of the Scheldt, a herald announces King Heinrich, who asks Count Telramund to explain why the Duchy of Brabant is torn by strife and disorder. Telramund accuses his young ward, Elsa, of having murdered her brother, Gottfried, heir to Brabant’s Christian dynasty. (Gottfried was actually enchanted by the evil Ortrud, whom Telramund has wed.) When Elsa is called to defend herself, she relates a dream of a knight in shining armor who will come to save her. The herald calls for the defender, but only when Elsa prays does the knight appear, arriving in a boat magically drawn by a swan. He pledges his troth to her on condition that she never ask his name or origin. Defeating Telramund in combat, the newcomer establishes the innocence of his bride.
ACT II
Before dawn in the castle courtyard, Ortrud and the Telramund swear vengeance. When Elsa appears in a window, Ortrud attempts to sow distrust in the girl’s mind, preying on her curiosity, but Elsa innocently offers the scheming Ortrud friendship. Inside, while the victorious knight is proclaimed guardian of Brabant, the banned Telramund furtively enlists four noblemen to side with him against his newfound rival.
At the cathedral entrance, Ortrud and Telramund attempt to stop the wedding—she by suggesting that the unknown knight is in fact an impostor, he by accusing Elsa’s bridegroom of sorcery. The crowd stirs uneasily. Though troubled by doubt, Elsa reiterates her faith in the knight before they enter the church, accompanied by King Heinrich.
ACT III
Alone in the bridal chamber, Elsa and her husband express their love until anxiety and uncertainty at last compel the bride to ask the groom who he is and whence he has come. Before he can reply, Telramund and his henchmen burst in. With a cry, Elsa hands the knight his sword, with which he kills Telramund. Ordering the nobles to bear the body to the king, he sadly tells Elsa that he will meet her later to answer her questions.
Escorting Elsa and the bier to banks of the Scheldt, the knight tells the king he cannot now lead the army against the Hungarian invaders. He explains that his home is the temple of the Holy Grail at distant Monsalvat, to which he must return; Parsifal is his father, and Lohengrin is his name. He bids farewell and turns to his magic swan. Ortrud rushes in, jubilant over Elsa’s betrayal of the man who could have broken the spell that transformed her brother into a swan.
But Lohengrin’s prayers bring forth Gottfried in place of his vanished swan, and after naming the boy ruler of Brabant, Lohengrin disappears, led by the dove of the Grail. Ortrud perishes, and Elsa, calling for her lost husband, falls lifeless to the ground.
The Met Live Opera’s “Lohengrin” will be shown at the Mary D. Fisher Theatre on Saturday, March 18 at 9 a.m. (live simulcast) with an encore on Wednesday, March 22 at 3 p.m.. The pre-opera talks will take place one hour before the live Saturday simulcast. Tickets are $25 general admission, $22 for Film Festival members, and $15 for students. Tickets are available in advance at the Sedona International Film Festival office or by calling 928-282-1177. Both the theatre and film festival office are located at 2030 W. Hwy. 89A, in West Sedona.