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26th Anniversary Celebration!
February 22nd - March 1st, 2020
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Met Live Opera 2019-2020 Season

The Sedona International Film Festival is proud to present the Met Live Opera: Live in HD series for the 2019-20 season. Once again, the festival will host the productions via satellite at its Mary D. Fisher Theatre, 2030 W. State Route 89A in West Sedona.

Each opera will be shown LIVE and then repeated later that day as an encore.

The Met: Live in HD, the Metropolitan Opera’s award-winning series of live high-definition cinema simulcasts, will begin its 14th season on October 12, with the Met’s production of Puccini’s “Turandot”, starring Christine Goerke in the title role, led by the Met’s Jeanette Lerman-Neubauer Music Director, Yannick Nézet-Séguin.

The 2019–20 Live in HD season features ten transmissions, including five new productions: the Met premiere of Philip Glass’s groundbreaking 20th-century opera “Akhnaten”, starring Anthony Roth Costanzo as the title pharaoh, conducted by Karen Kamensek; Peter Mattei in the title role of Berg’s “Wozzeck”, in a new staging by acclaimed visual artist and stage director William Kentridge, conducted by Yannick Nézet-Séguin; a new production of the Gershwins’ classic American opera “Porgy and Bess”, last performed at the Met in 1990, starring Eric Owens and Angel Blue, directed by James Robinson and conducted by David Robertson; the Met premiere of Handel’s “Agrippina”, starring Joyce DiDonato in a contemporary staging by Sir David McVicar that promises to resonate with modern audiences; and a new take on Wagner’s “Der Fliegende Holländer”, starring Sir Bryn Terfel in the title role.

In addition to “Turandot” and the five new productions, Live in HD audiences will have the chance to see Massenet’s lush French masterpiece “Manon”; the return of Anthony Minghella’s inspired vision of Puccini’s “Madama Butterfly”, with Plácido Domingo as Sharpless; Anna Netrebko in the title role of Puccini’s “Tosca”; and Diana Damrau and Jamie Barton as the dueling queens of “Maria Stuarda”, the second opera of Donizetti’s Tudor trilogy.

Met stars serve as hosts for the HD series, conducting live interviews with cast, crew, and production teams, and introducing the popular behind-the-scenes features

The remaining 2019-20 Met Live in HD series productions are:

 

Wozzeck

Alban Berg
Wozzeck

 

Saturday, Jan. 11

Live: 11:00 a.m. • Encore: 4:00 p.m.

There will be a pre-opera talk one hour before each performance led by Deborah Raymond.

 

Cast: Elza van den Heever (Marie), Tamara Mumford (Margret), Christopher Ventris (The Drum-Major), Gerhard Siegel (The Captain), Andrew Staples (Andres), Peter Mattei (Wozzeck), Christian Van Horn (Doctor)

Berg’s 20th-century shocker stars baritone Peter Mattei in the title role, with Music Director Yannick Nézet-Séguin on the podium and soprano Elza van den Heever as the long-suffering Marie. Groundbreaking visual artist and director William Kentridge unveils a bold new staging set in an apocalyptic wasteland.

One of the emblematic achievements of the thriving artistic forces in Germany and Austria during the brief period between world wars, Wozzeck was a sensation and a scandal at its premiere. Remarkably, it has lost none of its power to fascinate, shock, and engage audiences, and its status as one of the defining musical works of the 20th century has not blunted its vitality.

 

CLICK HERE to order tickets for “Wozzeck” online.

 

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Porgy and Bess

The Gershwins’
Porgy and Bess

Saturday, Feb. 1

Live: 11:00 a.m. • Encore: 4:00 p.m.

There will be a pre-opera talk one hour before each performance led by Ginny Fox.

 

Cast: David Robertson; Angel Blue (Bess), Golda Schultz (Clara), Latonia Moore (Serena), Denyce Graves (Maria), Frederick Ballentine (Sportin’ Life), Eric Owens (Porgy), Alfred Walker (Crown), Donovan Singletary (Jake)

The Gershwins’ modern American masterpiece has its first Met performances in almost three decades, starring bass-baritone Eric Owens and soprano Angel Blue in the title roles. Director James Robinson’s stylish production transports audiences to Catfish Row, a setting vibrant with the music, dancing, emotion, and heartbreak of its inhabitants.

Infused with the timeless melodies of the much-loved classics “Summertime,” “It Ain’t Necessarily So,” “Bess, You Is My Woman Now,” “I Got Plenty o’ Nuttin,” and “My Man’s Gone Now,” the new co-production with English National Opera and Dutch National Opera was hailed as a triumph at its premiere in London earlier this year.

 

CLICK HERE to order tickets for “The Gershwins’ Porgy and Bess” online.

 

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Agrippina

George Frideric Handel
Agrippina

Saturday, March 7

(This is shown a week later than the live broadcast because of the Film Festival Schedule)

Encore: 11:00 a.m. • Encore: 4:00 p.m.

There will be a pre-opera talk one hour before each performance led by John Steinbrunner.

 

Cast: Brenda Rae (Poppea), Joyce DiDonato (Agrippina), Kate Lindsey (Nerone), Iestyn Davies (Ottone), Duncan Rock (Pallante), Matthew Rose (Claudio)

As the imperious title empress, mezzo-soprano Joyce DiDonato leads the Met premiere of Handel’s tale of deception and deceit. Harry Bicket conducts Sir David McVicar’s wry new production, which gives this Baroque black comedy a politically charged, modern updating.

The all-star cast features mezzo-soprano Kate Lindsey as Agrippina’s son and future emperor Nerone, soprano Brenda Rae as the seductive Poppea, countertenor Iestyn Davies as the ambitious officer Ottone, and bass Matthew Rose as the weary emperor Claudius.

 

CLICK HERE to order tickets for “Agrippina” online.

 

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fliege

Richard Wagner
Der Fliegende Holländer

Saturday, March 14

Live: 10:00 a.m. • Encore: 4:00 p.m.

There will be a pre-opera talk one hour before each performance led by Ed Ingraham.

 

Cast: Anja Kampe (Senta), Mihoko Fujimura (Mary), Sergey Skorokhodov (Erik), David Portillo (Steuermann), Sir Bryn Terfel (Holländer), Franz-Josef Selig (Daland)

Sir Bryn Terfel returns to the Met for the first time since 2012, as the mysterious seafarer searching for salvation. Director François Girard, whose mesmerizing production of Parsifal recently wowed Met audiences, returns to stage Wagner’s eerie early masterwork.

With sweeping sets by John Macfarlane, Girard’s new production turns the Met stage into a rich, layered tableau reminiscent of a vast oil painting. The gifted German soprano Anja Kampe, in her Met debut run, is the devoted Senta, whose selfless love is what the Dutchman seeks, with bass Franz-Josef Selig as her father, Daland, and tenor Sergey Skorokhodov as her deserted former lover, Erik.

“Der Fliegende Hollander” is the earliest of Wagner’s operatic creations to remain in the repertory. The two lead roles represent archetypes to which the composer would return, in one form or another, in most of his later works: the “otherworldly stranger” and the woman who sacrifices herself for his salvation. The work’s unearthly ambience is impressive but only one aspect of it: Both the world of nature and of the supernatural are magnificently evoked in the score.

 

CLICK HERE to order tickets for “Der Fliegende Hollander” online.

 

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Tosca

Giacomo Puccini
Tosca

Saturday, April 11

Live: 10:00 a.m. • Encore: 4:00 p.m.

There will be a pre-opera talk one hour before each performance led by Deborah Raymond.

 

Cast: Anna Netrebko (Tosca), Brian Jagde (Cavaradossi), Michael Volle (Scarpia), Patrick Carfizzi (Sacristan)

Superstar soprano Anna Netrebko appears in her 16th Live in HD transmission, taking on the soaring title diva of Puccini’s grand melodrama. Bertrand de Billy conducts Sir David McVicar’s evocative production, with tenor Brian Jagde as Tosca’s impassioned lover, Cavaradossi, and baritone Michael Volle as the sinister Scarpia.

Puccini’s melodrama about a volatile diva, a sadistic police chief, and an idealistic artist has offended and thrilled audiences for more than a century. Critics, for their part, have often had problems with Tosca’s rather grungy subject matter, the directness and intensity of its score, and the crowd-pleasing dramatic opportunities it provides for its lead roles. But these same aspects have made Tosca one of a handful of iconic works that seem to represent opera in the public imagination. Tosca’s popularity is further secured by a superb and exhilarating dramatic sweep, a driving score of abundant melody and theatrical shrewdness, and a career-defining title role.

 

CLICK HERE to order tickets for “Tosca” online.

 

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Maria

Gaetano Donizetti
Maria Stuarda

Saturday, May 9

Live: 10:00 a.m. • Encore: 4:00 p.m.

There will be a pre-opera talk one hour before each performance led by Russell Fox.

 

Cast: Diana Damrau (Maria Stuarda), Jamie Barton (Elisabetta), Stephen Costello (Leicester), Andrzej Filonczyk (Cecil), Michele Pertusi (Talbot)

A pseudo-historical opera about Mary, Queen of Scots, and her bitter rivalry with Queen Elizabeth I, Donizetti’s drama thrills with intense stand-offs and impressive vocal displays. Soprano Diana Damrau and mezzo-soprano Jamie Barton square off as two of history’s most formidable monarchs, with Maurizio Benini conducting.

A searingly dramatic setting of Friedrich Schiller’s play about Mary, Queen of Scots, and her political and personal rivalry with Queen Elizabeth I of England, Maria Stuarda had a troubled genesis, despite its musical and theatrical brilliance, and only recently achieved a place in the repertory. These two fearsome rivals embody different perceptions of royalty, which were very much in direct conflict at that moment in time, and the opera’s drama is true to history in a way the facts are not.

 

CLICK HERE to order tickets for “Maria Stuarda” online.

 

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Tickets for each opera are $25 general admission, $22 for Film Festival members, and $15 for full-time students. For more information, please call the Sedona International Film Festival at 928-282-1177 or visit the office at 2030 W. State Route 89A, Suite A3 in West Sedona.

 

met credits

Met Opera

Venue

Mary D. Fisher Theatre
2030 W. State Route 89A, Suite A-3
Sedona, AZ 86336 United States
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Phone:
(928) 282-1177
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